Saturday, 1 December 2018

Column: December 2018

The stories we tell about our own lives are the most important ones. The centenary of the end of the First World War served up a feast of stories and voices recently, the best coming from the ordinary people who lived through it. The Imperial War Museum's Voices of the First World War collection gave us a rare chance to hear at last from those who said nothing for so long after the 1914-1918 conflict. And in Peter Jackson's film They Shall Not Grow Old, an army of lip-readers toiled endlessly through silent film footage to work out what the battling young Tommies in the trenches were saying to one another.

Here on Golden Lane a small number of residents (myself included) have made a start on our own mission to remember, by gathering the stories of residents, in their own words, in their photographs and in the curiosities they have collected over the years. Altogether these often small and seemingly uninteresting things tell us a bigger story.

Over at the Barbican estate they are doing likewise. A new archive project just starting in conjunction with the Guildhall School, Laying the Foundations, aims to capture the history of the neighbourhood and its people. Golden Lane has been invited to join, too, so together we should be able to put post-war home life centre stage.

It’s a fair guess that the dusty corners of places like the Guildhall and the Bishopsgate Institute are already well stocked with the testimonies of former Lord Mayors, beadles, sheriffs and all the rest of the City’s ceremonial grandees. So it will be a pleasure be able to read and hear the memories of the residents, the office workers, the shopkeepers, the taxi drivers and the police officers.

This is where Laying the Foundations promises to fill the gap, by putting real people at its core. Barbican residents have already got off to a flying start in this ambitious plan. I’m told they have a secret stash of original (1965-76) fixtures and fittings from kitchens and bathrooms.

So Golden Lane has a bit of catching up to do. We already have in our collection a lot of vintage photos and architectural documents. And one or two senior residents have allowed us to copy items from their own personal stock, which contain such gems as old copies of the Golden Lane Journal and Club News from the late 1950s. Pictures from 1977 show serious-looking children in daft costumes doing their best to celebrate the Queen’s Silver Jubilee. Letters from locals describing the ground zero they saw when they emerged from air-raid shelters after the war bombing in 1940 put into context the citywide rebuilding of London that our estate was part of.

More of these stories will follow, but I especially must guard against my love of tall tales, because they will almost certainly rub up against the archivists’ rigorous codes of practice. Here’s hoping that the sensible people at Laying the Foundations and their partners at the London Metropolitan Archives can steer us in the right direction.

A good test for our seriousness is an unpublished memoir we’ve recently got our hands on, by Pat Moriarty, who lived on nearby Whitecross Street from the late 1950s. Pat made, and remains, friends with many of Golden Lane’s residents and her memories of the neighbourhood are vivid and tell a lot about life in the early days of the estate. In one section Pat describes the social progress of graduating from washouses and outdoor toilets to the fitted home comforts we now take for granted. The arrival of a launderette locally is greeted with rapture: “Then came a ray of sunshine in the greyness of this end of the street – the Sunlight Laundry, with its magnificent rising sun in blue and yellow covering the whole window.”

Good stories are irresistible, and the truth is often dull, but this is the kind of first-person account that gives community history a good name. It is an example worth following. Yes, I am still confident that one day I will crack the mystery of the Basterfield House resident who once slept with David Bowie. And I am itching to talk to the 90-year-old Great Arthur House resident who has a minor obsession with knickers. These stories fuel our imagination and feed our hunger for entertainment, but behind them stand more serious stories about lives lived locally.

Not that the 90-year-old can tell us very much at the moment, because recently she accidentally threw away her false teeth. Gum's the word.

Billy Mann lives in Basterfield House on the Golden Lane Estate. He is a teaching assistant, a City of London Community Builder and blogs at scrapbookbilly.blogspot.com.

An edited version of this column appeared in the City Matters newspaper, edition 087


Diary: November 2018



2 November, 2018, London
Amazing geometry and texture at Tate Modern.


7 November 2018
Archiving Don McPhee’s pictures today at the Guardian, it dawned on me, as I checked some colour negatives of ice-skaters at a rink in Blackpool, that many of these negs have never been seen, let alone printed. Back in the day, once Don (or any other Guardian staff photographer) had delivered a shoot and the picture editor had made a selection, the remaining frames were surplus and unlikely ever to see the light of day again. Excuse the pun. There were some fantastic unused shots of skates, feet and lower legs that have probably been seen by around three people, and that includes me. It made me feel slightly sad, but also happy that the arrival of digital photography at least offers the possibility that such a waste of creative energy is not everlasting.

11 November 2018, London
There has been a lot of talk recently about the possibility of Remembrance fading now that the 100-year anniversary of the First World War has arrived. So I have decided to rebrand 11 November for myself as 'Death of Innocence Day'.

11 November 2018, London
The woman on Waterloo Bridge doing a piss standing up was a standout sight.


13 November 2018, London
At the Memory Group today, Charlie, an ex East End docker now living in the Barbican, declared Jeremy Corbyn “not left-wing enough” for him.

19 November 2018, London
Great study of black/white US politics made personal.

22 November 2018, London
Photographers are crap reporters. At the Guardian Archive today I was indexing pictures and growing more and more pissed off by the minute by photographers who give the most scant information about their work. Items labelled “TUC Conference, Blackpool” contain countless headshots of various people but no clue as to who the hell they are. A diligent researcher would no doubt be able to find that information, but the reality is that any good picture editor would simply select a photo properly labelled and reject the ones not.

On another note, I came across a sheet of colour negatives by Don McPhee labelled “John Major at Emmerdale”. They looked like great pictures of the PM in the Woolpack Inn, etc, but it struck me then that one of the dying skills of the picture editor is to be able to “read the negative”. Being able to “see” the printed picture, its quality, its composition and its suitability for publication is a skill that must have largely disappeared, or is at least consigned to academic study.