Sunday, 15 October 2017

Column: October 2017


Don’t worry, be happy
Now that our community centre has closed temporarily for refurbishment, meeting places for residents are scarce. This makes us more than ever indebted to Sir Ralph Perring. 

Sir Ralph was Lord Mayor when our estate was completed in 1962 with the addition of Crescent House. He was a master of both the Worshipful Company of Tin Plate Workers and the Worshipful Company of Furniture Makers.

His memory lives on in the Ralph Perring Centre, a former nursery next to the Golden Baggers allotment and children’s playground. The centre is home to the Ralph Perring Club for senior residents and former City workers. The club has been meeting for social activities since the mid-1960s. 

The building has also now been pressed into service as a makeshift civic centre for City and residents’ events. In June it was a community cafe for Open Garden Squares Weekend, and right now it is hosting a Corporation-backed Action for Happiness programme of eight weekly sessions exploring “What Matters”, the Dalai Lama way to a stress-free existence.

Community cafe

At the first session we started with a Mindful Minute, which is always useful, if only to stop the noisy nattering. Then we were asked to think about Happiness and what it really means. Next came a YouTube TED talk by Richard Layard, professor of Wellbeing at the London School of Economics. This got us chatting in small groups about issues such as Trust, Contentment and childhood experiences, good and bad. If all this sounds a bit wet and hipsterish, it is. But at a time when mental-health problems have hit epidemic proportions, anything’s worth a try. It was, at least, a positive experience that each member of the group could take forward and build on.

Grout season
In April 2015, the wall tiles on Stanley Cohen House on Golden Lane began to fall off. Scaffolding was erected and all the outward appearances of a repair job started… then stopped. The building is Grade II listed, so no repair is straightforward. English Heritage has to tick its boxes, and wall tiles from B&Q are not on their list of approved materials. While decisions were being made about where best to buy the replacement tiles, what looked like black plastic bin bags were nailed to the walls as a “safety precaution”. So, for around two years Stanley Cohen House has looked like a distressed polytunnel. Only now have new tiles been sourced from Spain and scaffolding is once again in place. This is cause for great celebration and, fingers crossed, very soon the bin bags will be but a bad memory.

Human writes act
Getting a couple of Banksies in the neighbourhood was cool enough, and now the Fann Street side of Bowater House has been turned into an art installation, ‘Spectres of Modernism’, by “Turner Prize winners” protesting the Taylor Wimpey development of Bernard Morgan House opposite into ghost homes for rich overseas clients. But there is something unsatisfactory about this feted project. It looks too studied, and the slogans all seem to try very hard to be clever. The banners are also neat and tidy, so unlike most of the Bowater residents I know. 


All guns blazing
It is a running half-joke that on any working day there are more vegetarians in the City than residents (my bad-maths calculation puts the vegetarian/resident ratio at around 5:2). The numbers game gets even more exciting when you try to find a resident who is also a vegetarian. Reader, I married her, and most Sundays we repeat the same fruitless mission to find a pub that serves a decent veggie roast dinner. Thankfully, the Artillery Arms in Bunhill Row is blazing the trail with a well-pitched menu that includes a meat-free Sunday slap-up. Add a good range of Fuller’s and guest beers and you have the recipe for a proper lazy day.

We all want to change the world 
This year's centenary shenanigans for the Russian Revolution have not exactly gone off with a bang here on the estate, but 2017 is not over yet. On 22 October, the Great Chamber at The Charterhouse will deliver a piano/cello/viola concert featuring the post-revolutionary work of Rachmaninoff, Shostakovich and Prokofiev alongside crazy experimental jazz by Nikolai Kapustin. If that doesn’t spark any riots in your soul, pour yourself a large vodka and settle into a chapter of Onion Domes On Golden Lane, a ripping memoir-blog by one of my Basterfield House neighbours that both comments on contemporary Russian life and recalls evocatively the highs and lows of a young British woman working in the Moscow theatre of the 1990s (clementinececil.blogspot.com).

A joke from our estate office
“A friend of mine invented the cold-air balloon... but it never really took off.”


An edited version of this column appeared in the City Matters newspaper, issue number 52

Sunday, 8 October 2017

Diary: local acting project

St Luke's Men’s Shed is not often found at arty cultural events, but an early peek at the Old St/New St theatrical project brought us one grey Sunday afternoon to one of the stately rooms inside Shoreditch Town Hall.

Old St/New St is a performance by a group of local teenagers who, using transcripts of interviews from residents around Islington and the City (including St Luke’s O55 members), tell stories about how our neighbourhood has changed over the years: The one-time council flats bought on the ‘Right to Buy’ of the 1980s now worth £730,000; the devastation of the Blitz in 1941 when German war bombing turned the whole area into an inferno.

The young actors obviously like the idea of impersonating local characters because their mimicry was so accurate I wanted to step in and add my own pennyworth. Touchy issues such as immigration and Brexit were all brought to life by 15-year-olds speaking the words of 70-year-olds. Their quirky mannerisms also spiced the performance, bringing a real sense of comic fun.

As a way of coaching young actors, using the oral histories of real people, is a brave and innovative idea that deserves to go a long way. So it’s hats off to the young professional actresses Rachael Spence and Lisa Hammond for bringing this fantastic show together with such style and vision. Let’s hope there are many more in the future.

For more information, please email rachaelspence@hotmail.com

Saturday, 7 October 2017

Diary: Kid Creole & The Coconuts




Notes made at Kid Creole gig at Barbican Centre 07.10.2017
Mates with Basquiat.

The support band is a retro idea.

Arto Lindsay. Experimental beat, bass and percussion combo. Dark, brooding and poetic. Slashing guitars and feedback.
Jane: "It feels quite French." It fitted the word NICHE so well I couldn't disagree.

Musicians messing with volume dials on amps is a lovely reminder of how things once we're. At one point, Arto signalled to the control desk at the back of the stalls that one of his amps was fucked. It was the same signal referees in football matches use to tell the offpitch staff that a player has a broken leg.

A job-creation programme for drummers.

As we came out for the interval, one gig-goer was heard to say "you've got to be on crack to enjoy that".

The Kid's kid is his guitarist. "He costs me nothing."

3 coconuts.
The very notion of the dancing-girl assistant seems creepy and old

The Kid's kid plays a mean Telecaster.

Pole dancers of today would once have found a vocation in the Latin Swing club scene of the 1980s.

It has Vegas written all over it, and yet it is such an obvious product of New York. I wish America could work out where it's coming from.

You've still gotta be fit to be a Coconut.

11 people onstage.

One of the Coconuts broke into 'My Boy Lollipop'.

The Kid is Leader of the band, and this is Band Musicianship.

The Kid is no longer such a great singer, if he ever was. The softer, gently brash side of his voice has gone. But, hey, what a showman, what a performer!

An orgy of dancing to Annie, and a cute guitar riff inserted.

Upper Circle stalwart Remainers (in their seats).


The Kid introduced the word "insouciating" as a description of the Coconuts.

12-hour shift for the door attendant.